ESH - Darwin's Frankenstein Vinyl LP
It can take a lifetime for an artist to find their “voice,” to earnestly present their authentic self, especially in the hip-hop realm, where braggadocio and exaggerated imagery are the norm. On Darwin’s Frankenstein, Esh has fully removed the mask; gone are ‘oh shit’ punchlines and sensational proclamations inherent to the style. It's not that he’s lost his sense of humor or stayed safe with subject matter, but rather he uses each line to enrich the song and greater oeuvre of the album with precision and poise. Esh isn’t going for provocative ‘gotcha’ moments, but instead crafting a larger landscape of an artist’s plight in a digitally deluded society. He eschews soapboxing, offering observations of the grey areas in life and an acceptance of what matters most.
Without coming off as too serious or critical, Darwin’s Frankenstein is a study on the human condition in 2017, where the smartphone screen is the new nicotine, celebrities are deified, and societal injustices run rampant as technology and social networking encourage the individual to retract from the real world in a pit of isolation triple-filtered to obscure the reality. It’s a thoughtful and positive rejection of a culture that values fame over talent, conformity over individuality, and apathetic, tacit approval over passionate dissent.
Check out the first single, "Good Night For A Daydream"!
After blowing a sarcastic kiss goodbye to the “Important Boy” mentality of underground hip-hop culture early in his new album Darwin's Frankenstein, Boston, MA emcee/producer Esh deconstructs the aforementioned themes and more throughout the LP’s concisely crafted 10 tracks. Our culture’s lack of a sense of mystery and imagination—the stargazer’s longing, if you will—pops up frequently as he looks within (“I would trade my solutions for a mystery / If I could understand my affinity for misery”) and at the bigger picture (“Primate fashioning a weapon out of bone / Then together built a wall just to quiet the unknown / Found a way to fit a universe inside a phone / The more we felt connected, the more we felt alone”).
However, rather than bemoan all that is wrong, the album culminates in a comfortable acceptance of what we cannot change in the world (“It is what it is and it is what it isn’t / Different or the same, it’s all the same difference”) and ourselves, the latter of which is exhibited perfectly in the album closer, where he lists all of his faults to his lover en masse, completely OK with them “because I’ve got you.” Darwin’s Frankenstein is a reminder that those “thinking that the pics are worth more than the experience” should drop the mirage and instead revel in who they really are, imperfections and all.
01. Release the Hounds ft. Radclyffe Hall
02. Important Boy ft. J Ring
03. Good Night for a Daydream
04. Cavemen with Computers
05. Believe You
06. Earth is Eden (To Men on Mars)
07. It Is What It Is (Isn’t It?)
08. Red Velvet
09. Encyclopedia Britannica ft. Mr. Lif, Moe Pope &
10. I Got You ft. ORCHIDS
Tracks 1, 2, 5, 8, & 9 produced by The Arcitype
Tracks 3, 4, 7, 9, & 10 produced by Rain
Tracks 6 & 9 produced by Lightfoot
Additional production & vocals by The Arcitype. Additional
vocals by Orchids. Harmonica by Blackmarket Ammunition.
Additional Guitar & Bass by Honey Oil.
Executive produced by Esh.
Recorded, mixed and mastered by The Arcitype with additional
engineering by Lightfoot & Alex Allinson at The Bridge Sound
& Stage in Cambridge, MA.